Rebecca Howland
S. Anker
D. Ashbaugh
Aziz + Cucher
B. Ballengée
C. Borland
N. Burson
H. Chadwick
K. Clarke
K. Cottingham
B. Crockett
H. Danuser
C. Davis
M. Dion
G. Gessert
R. Howland
N. Jeremijenko
R. Jones
E. Kac
davidkremers
J. Lackey
J. LaVerdiere
I. Manglano-Ovalle
K. Mihail & T. Kim-Trang
L. Miller
S. Miller
F. Moore
A. Rockman
® ™ark
B. Rubenstein
N. Rule
C. Rupp
G. Schneider
L. Stein
E. Sutton
C. Wagner
C.M. Weems
G. Wight
J. Zweig
1. The World in a Drop of Blood 2. Different Tenant 3. Mr. and Mrs. Martin Scorsese 4. The Recipe of Me 5. A Hundred Sows and Bucks 6. Golden Goose 7. Eve/Adam 8. Double Twist 9. Regarding the Use of My DNA 10. Round Trip Ticket 11. Big Trouble, Totally Fascinating 12. Hey Noble One!, 2000
Ink and watercolor on paper,
each 11 x 17 in.
(detail)
I did not know what the words meantñgenomics, genetics, biotechnologyñand I wanted to find out. I make art to locate myself. For me, art is self-revelation, not self-expression. The thing I need to know is always at the end of the drawing, or at the bottom of the page.
Genetics mapping and
reproductive technology are compelling to me. Genetics hits in the potent
intersection of personal and environmental disaster and healing. Creation,
and destruction, at its rootñhow could this not interest an artist? We
are the antennae. Here, we are doing our job.
Big business, big money, big trouble = totally fascinating,
and not necessarily
a bad thing, even as I hear the sound of my own knee jerking.
