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Alexis Rockman |
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Ackroyd & D. Harvey S. Anker D. Ashbaugh Aziz + Cucher B. Ballengée C. Borland N. Burson H. Chadwick K. Clarke K. Cottingham B. Crockett H. Danuser C. Davis M. Dion G. Gessert R. Howland N. Jeremijenko R. Jones E. Kac davidkremers J. Lackey J. LaVerdiere I. Manglano-Ovalle K. Mihail & T. Kim-Trang L. Miller S. Miller F. Moore A. Rockman ® ark B. Rubenstein N. Rule C. Rupp G. Schneider L. Stein E. Sutton C. Wagner C.M. Weems G. Wight J. Zweig |
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The Farm, 2000oil and acrylic on wood panel,
96 x 120 in.
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My artworks are information-rich depictions of how our culture perceives and interacts with plants and animals, and the role culture plays in influencing the direction of natural history. The Farm contextualizes the biotech industryís explosive advances in genetic engineering within the history of agriculture, breeding, and artificial selection in general. The image, a wide-angle view of a cultivated soybean field, is constructed to be read from left to right. The image begins with the ancestral versions of internationally familiar animalsñthe cow, pig, and chickenñand moves across to an informed speculation about how they might look in the future. Also included are geometrically transformed vegetables and familiar images relating to the history of genetics. In The Farm I am interested in how the present and the future look of things are influenced by a broad range of pressuresñhuman consumption, aesthetics, domestication, and medical applications among them. The flora and fauna of the farm are easily recognizable; they are, at the same time, in danger of losing their ancestral identities. |
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